Bosco Sodi and Lucia Corredor

Massive open-air palapas with soaring thatched roofs, concrete structural elements, and dramatic floor-to-ceiling openings framing the Pacific Ocean create impressive architectural volume, though the raw materials keep it from feeling palatial.

Every surface radiates warmth — live-edge timber tables, thatched palm roofs, terracotta brick pavers, linen cushions, woven textiles, red rugs, and sand literally flowing into the living spaces create an entirely tactile, natural material palette.

The spaces are deliberately sparse with few objects — a bowl here, some stones there, scattered cushions — breathing room dominates, and the ocean view is the primary decorative element.

The traditional Oaxacan palapa construction with thatched roofs references regional vernacular building traditions, but the concrete structure and contemporary furniture create an intentional dialogue between indigenous craft and modern architecture.

Sodi's own ceramic sculptures, paintings on dried chili sacks, locally sourced materials, handcrafted doors by Decada, and the artist's quote about wanting things to weather and age convey genuine accumulated meaning — this is an artist's working environment, not a decorated retreat.

The article describes Casa Wabi as an artist residency and foundation space, the house is designed for family gatherings with three children, and Sodi explicitly says 'It's a place to invite friends, to invite family' — the open-plan pool-facing entertaining spaces and multiple guest palapas confirm social intent.

Children jump into the pool from the roof, a dog lounges on the sand, there are no doors between inside and outside, floor cushions replace formal seating, and sand drifts freely into living areas — the house actively resists any behavioral rules.

Decada designed and decorated the house with Sodi's own design, creating composed but not overly styled spaces — the live-edge tables and Sunbrella-cushioned loungers are professionally selected, but the artist's own ceramics and paintings give it genuine personal authorship.

Despite the Tadao Ando-designed studio and name-dropping of Pritzker winners Alvaro Siza and Kengo Kuma at adjacent Casa Wabi, the home itself is anti-performative — raw concrete, weathering surfaces, and the explicit philosophy of working with the elements rather than displaying wealth.