Madina Visconti di Modrone

The converted 17th-century convent features super-high ceilings, gilded ornate mirrors, grand doorways, and substantial architectural volume that clearly dominates the rooms, though it remains a residential apartment rather than a palazzo.

Wide herringbone wood floors, blue velvet upholstery, pink satin chairs, rich textiles from House of Hackney, and layered rugs create a predominantly warm tactile environment tempered only by the gilt mirror frames and some harder surfaces.

Every surface is activated — bold floral wallpaper, pattern-on-pattern textiles, vintage furniture, family heirlooms, books, objects on every table, and a deliberate chromatic dialogue between the yellow wallpaper, blue velvet, and pink seating that achieves maximum density with remarkable coherence.

The 17th-century convent architecture with original doors and timeworn walls is committed to its period bones, with vintage furnishings and deadstock wallpapers reinforcing the historical narrative, though funky contemporary textiles and the jewelry designer's modern sensibility create intentional anachronisms.

The article describes inherited pieces from her grandfather's engineering office in Rome, an antique sofa, family heirlooms from her grandmother, her mother Osanna's cocktail table, and timeworn walls deliberately preserved — a genuine mix of inherited and found objects in a building with real age.

The article explicitly states she loves to 'have guests, pour the wine, set the table, organize everything,' didn't have dining chairs for six years but still entertained, and the terrace is set for gathering — the home is clearly oriented toward social life.

Despite the grand architecture and ornate mirrors, the space reads as genuinely lived-in — she didn't have dining chairs for six years, the velvet sofa invites lounging, books and objects are scattered organically, and the article describes her working from home sculpting bronze, making this a creative home not a formal salon.

This is emphatically self-curated — Visconti di Modrone personally sourced vintage wallpaper from specialty shops, inherited family pieces, chose the House of Hackney fabrics herself, and the article describes the place coming together slowly over six years with no designer credited.

The boldness serves her genuine personality as a jewelry designer who loves color and pattern rather than performing for an audience; the wealth is inherited (converted convent, family heirlooms from the Visconti lineage), and the eclectic treasures were dug up at under-the-radar local boutiques rather than branded showpieces.